About every week or so I post my favorite work(s) of art to this website.
Friday, December 23, 2011
Monday, December 5, 2011
Friday, July 22, 2011
Water 4
Water 4. 2011.
Oil on linen.
40 x 30 cm (15.8" x 11.8").
Oil on linen.
40 x 30 cm (15.8" x 11.8").
Water 4. 2011.
Detail
Detail
Rain releases a grain of sand from the top of a mountain, which is carried to the sea. It is buried and eventually transformed into a layer of sedimentary rock. Eons later, the stone is lifted by tectonic action. The process begins anew: erosion reveals a timeless beauty in the exposed layers. A human lifetime is but an instant when considered from geologic timeframe.
There are parallels between our lives and the hydrologic cycle; renewal and birth, energy and life, erosion and decay. The physical and often ancient or transient traces left by earth and hydrologic processes are a reminder of our mortality even as they suggest redemption through renewal, evoking the cycles of energy and life.
I am a water resources engineer and artist. The latest 'water' series brings these two halves together. (http://erikrhagen.com/water/water.html)
Wednesday, June 29, 2011
Friday, May 20, 2011
Open Studio: Invitation to Art&Jazz May 21 and 22
As part of Art&Jazz, my atelier is open from 11 to 5 on May 21, and 11 to 3 on May 22. You are invited to to see my studio. I am exhibiting with another artist, Luba Fateeva. There are many more open studios in the 'hood, so if you want to tour some other studios it is a fun day out. I have some maps or you can see the other sites on the web (in Dutch) at http://www.artandjazz.nl/home.html.
Where: Parkweg 9a
2585JG
See you there!
Where: Parkweg 9a
2585JG
See you there!
Man with the broken nose. 2011.
Oil on linen.
120 x 100 cm (47.2" x 39.3")
Oil on linen.
120 x 100 cm (47.2" x 39.3")
Monday, March 14, 2011
Green and blue layers
Green and Blue Layers. 2011.
Oil on Panel.
106 x 50 cm (41.7" x 19.7")
I showed a partial image of this painting a while back but finally had good studio light for a decent picture.
Tuesday, March 1, 2011
Purple, green and orange layers
oil on linen
30 x 24 cm
Another painting from the 'unfinished edge' series. This little painting is small, really just a sketch. It is fun to work through some of the ideas in smaller paintings.
Blue, green, and yellow layers
oil on linen
30 x 24 cm
Details showing the sides of several recent canvases
Blue and yellow make green
60 by 40 cm
This painting was worked entirely 'wet on wet,' i.e., with wet paint on wet paint. The horizontal stripe was the last step in this painting: it was made with a big palette knive, the kind used for drywall work. This was painted over an older painting, I think it was a landscape.
This painting was worked entirely 'wet on wet,' i.e., with wet paint on wet paint. The horizontal stripe was the last step in this painting: it was made with a big palette knive, the kind used for drywall work. This was painted over an older painting, I think it was a landscape.
Green and blue layers
I have been busy in the studio, but there hasn't been good natural light for photos: hence the lack of weekly posts. Finally I broke down and took photos using studio lights. Criminy, when will spring get here?
This small painting, 30 by 24 cms, is a good representation of what I've been up to lately. It combines the use of pallete knives, scrapers, brushes, resulting in layers of new and old paint. Mostly, the paint is worked wet on wet.
This small painting, 30 by 24 cms, is a good representation of what I've been up to lately. It combines the use of pallete knives, scrapers, brushes, resulting in layers of new and old paint. Mostly, the paint is worked wet on wet.
Monday, January 24, 2011
Green and blue
100 by 120 cm. (about 3 by 4 feet).
Lately, I have been using bolts to attach paintings to wood frames, and/or a thicker impasto paint: I seem to be coming back to my roots in ceramic sculpture as my paintings get more three dimensional.
This is a very personal painting, and a bit on the dark side. On the one hand, it is a Dutch winter: green moss and dark skies: death. Yet when viewed in a brighter light the moss green becomes a deep and more verdant green, with promise of growth and summer. The black center becomes a deep blue, almost more of a northern-lattitude midnight summer sky: rebirth. I like this painting because of the ambiguity: it is my new favorite.
Monday, January 17, 2011
Blue and Yellow
Recently, I've been using discarded materials like old-wood, and architectural objects. The latest set of paintings explores the way the painting is connected to the support. This painting is mounted onto a cast-off wood shutter using bolts fastened through the surface of the painting to the underlying wood, done while the paint is still wet. The paint itself is augmented with oily painter's medium, so the paint surface shimmers like a jewel. It's been too dark and rainy to take photos here in Holland using natural light, so I can only share these photos now. More soon!
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